My next assignment came with the mail. Handwritten, with a beautiful calligraphy in an old piece of paper was the following quote from Florence Scovel Shinn’s book “The Game of Life and how to Play it”: The white light of Divine Love flows through me and around me, inspiring and protecting me. The light of Divine Love now dissolves and dissipates every negative condition in my mind, body and affairs. Every cell of my body is filled with the light of Divine Love”. I instantly knew where to go and what to do. i didn’t even have to pack a suitcase…
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My new assignment was to photographically investigate the lead actor of a movie that was been filmed on a greek ferry boat. I had 6 hours to find him and capture him -with my lens, of course… He was elusive, but when an experienced photographic investigator is presented with a similar situation, she just shoots silhouette. There were no instructions for the contrary, so everyone was happy.
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“Live in the sunshine, swim the sea, drink the wild air” wrote Emerson and this quote was my clue for finding my new subject. My mysterious employers love to be… mysterious, so I received this quote written in a piece a paper that was attached to the collar of an abandoned cat that knew how to find me. I was immediately intrigued because I have always been inspired by Emerson’s words. Living in the sunshine of divine love that flows trough us and around us, swimming the sea of human emotions, drinking the wild air of inspiration, pure Spirit.
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Some subjects never cease to be subjects of a photographic investigation. It is not in their nature. He was elusive to me for four long years. In the past he was known as “Julian” or “The Mexican” and he was the protagonist of some very interesting assignments of mine. My sources informed me that presently he was going by the name “The influencer”. A photographic investigator never says goodbye to her subjects no matter how many alter egos they have -and she investigates them until she is called to another photographically investigating dimension.
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A photographic investigator, constantly traveling through different dimensions and alternate realities must be a pragmatist and follow the feet of her subjects because you are where you land to and you -usually- land to your feet.
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Juanita and Lupe, the faithful helpers of this photographic investigator, come from Mexico. In Acapulco, where I met them for the first time -during a very long photographic investigation-, were known as “Cocodrilo y Camarón” (The Crocodile and the Shrimp"). They started of as a team that had the ability to bend space and reality in general and this attribute proved to be very useful to me, as, at the time, I was in one of my inter-dimensional assignments and my energy was somewhat depleted by the constant altering of realities. Since our first collaboration, we became inseparable…
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A photographic investigator realises sooner or later on her constant journey that she is a traveller. A traveller who is eager to reach her destination quickly, does not look back to see by what road she has come not does she ponder about what she has seen on the way or what she has gained by it, says Sri Anandamayi Ma. Exactly like that, she advises, thoughts of the past must be cast aside in the aspirant’s life.
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A photographic investigator knows that if you don’t project it in the screen of your mind, it isn’t there. So you don’t see it.
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Although a photographic investigator is trained to interpret the visible, she has tools to her disposal that allow her to penetrate the invisible. Reflections are one of these tools, as are shadows. A hidden element always revels itself in a reflection and everybody knows that a shadow doesn’t lie…
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Mornings are the most powerful time of the day for a photographic investigator. And while she can best express the light that shines in her heart with each sunrise through photos, there are other enlightened beings who manage to do this with words. In Waldorf education, founded by Rudolf Steiner, the children say this “Morning verse” every morning:
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Sometimes a photographic investigator tests herself just to see if former subjects would produce the same insights in the present. They don’t of course… Something new, something exiting is always around the corner. This is a promise that can’t be broken.
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A photographic investigator suspects from the beginning that she operates in a make believe world and tries to capture it’s aspects. But there comes a time when suspicions become an undeniable reality and the confinements of Disneyland seem to close in on all its characters. A photographic investigator knows then that it is time to make use of her freedom pass and leave Disneyland.
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Even the most popular photographic investigator -a trait photographic investigators are not usually known for- observes a sudden discomfort generating from her usual subjects after 5-7 years of continuous photographic investigations. We call it “The 7 year subject itch” or, for simplicity reasons, “The 7 year itch”. It goes away on the 8th year though…
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A photographic investigator knows that there is no point in “fighting” the darkness. All one has to do is turn on the light. Keep it simple.
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“Stillness” is the message of a praying mantis sighting and it comes when it is a virtue most difficult to adopt. But then, a photographic investigator never has random sightings or encounters and she knows there are messages and guidance everywhere. Her job is to watch, receive and photographically investigate…
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The clue for this photographic investigation was “The van”. Fortunately, an experienced photographic investigator is used to think out of the box and rarely takes her clues literally. It was very easy to locate the miniature van and photographically investigate the subject behind it. Not that I am complaining, but sometimes I think that my mysterious -but very generous- employers need to challenge me a little more…
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A photographic investigator sooner or later realises that there is a distinction between the screen upon which a movie is projected and the movie itself. Many things happen in that movie and many feelings are evoked to the poor viewer, but the screen remain unchangeable. In times of pressure or general fear and anxiety, a photographic investigator always reminds herself: “Nothing real can be threatened, nothing unreal exists…”
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In dark times shamans had to protect themselves under an energetic cloak. Likewise, good witches had to disguise themselves in darkness, in order to awaken in us, undetected, the sparks of love and light that connect us to the divine. To be photographically investigating one of these exceptional creatures was a rare privilege and I enthusiastically took the assignment, disregarding the ensuing depletion of my energy - inter dimensional photographic investigations tend to have that effect on me…
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This was the code name for an urgent, after midnight photographic investigation of Zenobia, in colour. I have been known to accept the challenge of a colour assignment under conditions that cloud my judgement, like that heat wave that tormented Athens for over a week. I didn’t like it, but a photographic investigator never goes back on an engagement, so I reluctantly finished the investigation. Once again, I swore it was the last time…
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