Seven was my new subject. How did I know? The same way I always do… As you probably know by now, my mysterious employers dedicate their lives in finding imaginative and creative ways for sending me clues about my next assignment. This time it was a telepathically transmitted message in the brain of one of my faithful cat-helpers, Juanita. She knocked seven times with her paw on the head of my other faithful helper, Lupe, during a friendly round of greek-roman wrestling. So I knew that the famous Seven -a mysterious name equally enigmatic as her presence- was my new subject. Because a photographic investigator always uses her intuitive leads. Seven was a poet of Japanese, noble descend, who was brought up by Austrian shepherds in the Alps for her own protection from her parents -poets of the imperial court- enemies. And although she was trained as a cook, her inherited talent in poetry was revealed by her compulsive poetry writing. Her poems were published, shared, read and cherished among fellow poets and writers of noble descend who were living an incognito existence. And by watchers and investigators like me. I will not reveal what secret powers I had to use to be able to penetrate their circle - but I can assure you that I used them wisely. My assignment had to be completed by the summer solstice and the Fates were good to me. I attended a noble poetry reading the night before. I knew though that this assignment would not be the only one concerning Seven.
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The oracle was consulted because the situation was unclear. In cases like this an experienced photographic investigator asks help from her Higher Self through her favourite divinatory method. This time for me it was the I-Ching. The hexagram 31 it was then: "The Influence of the Strong Over the Weak". "All success in human relationships depends upon the proper attraction between persons. The leader is attracted to his followers and the followers are attracted to the leader. The strong are attracted to the weak and the weak are attracted to the strong". And the maxim: "When seeking advice, a person must remain open-minded and receptive". Suddenly it was all very clear.
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Another mysterious character I was hired to investigate. I picked up a very bright sunny day to do that… and I managed to make her sunglasses disappear… But she was very resourceful, as you can see. Nobody really knew anything about her… Only that she travelled a lot… Was she dangerous? Maybe? Was I scared? You will never know.
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As I was browsing through old carnival photos with people that are no longer in my life and in places that no longer exist, this amazing song by Toquinho was playing in my internal sound system… Escravo da alegria - slave to joy. And as I went to you tube to listen to it externaly as well, in one of the comments I read how Toquinho composed this song: He saw a phrase on a truck bumper that caught his attention and served as inspiration for this great hit. The message said: “If love is fantasy, I find myself lately in the middle of carnival”. The same way that my photographic investigations resolve themselves.
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“When you run after thoughts, you are like a dog chasing a stick. Every time the stick is thrown you run after it. Instead, be like a lion, who rather than chasing after the stick, turns to face the thrower. One only throws a stick to a lion once!”
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...I must say I always have loved the "liberation point". The moment when the illusion collapses. Not only because it gives equally good investigative portraits, but because it's most promising: who knows? If one illusion collapses today, maybe another one, more important will collapse tomorrow. Something to meditate on…
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I was sent there for the healing waters. My mysterious employers offered me this assignment as a gift because they knew that my energy levels were depleting after so many inter-dimensional travels. I was grateful but I wasn’t seeing any results on myself, to be honest. But there was this man that me and a fellow investigator had noticed sitting always in the same position in a beach bar that was called Sorrento. We had figured that his indian name was “The one who sits” as we were “The ones who came”. One morning I took a long was after sunrise and I found myself in Sorrento. “The one who is sitting” was coming out of the water and a few seconds later in his place I saw a young woman fishing. And then I knew that I was transformed, because what we see is us, really…
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A photographic investigator approaches her assignment with a beginner’s mind. Without plan, without preconceptions, without expectations, without knowledge, without having the slightest idea of what will happen. Than is the only way that a photographic investigation can be true. And that is not a rule, it is an observation.
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Photographing people drinking coffee or smoking is a routine for a photographic investigator… Photographing them eating cookies on the other hand is more challenging and a great deal more revealing. One way or the other, most photographic subjects have mastered the art of gesturing while enjoying a coffee or a smoke. Cookies are more unconventional. But I think much more enjoyable both for my subjects and me.
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This is a question unanswered. And it will remain that way, if I have anything to say about it. I was asked to follow and photograph her… I didn't ask why, this was just one of these cases… You know what I mean… the money was so good, there was no time for questions… And also, because I thought it would spoil my fun to know about it beforehand. It would be very easy to say that she was just a mad woman visiting again and again an abandoned hospital in Venice. It sure would be an easy assumption. But as I was watching her, day after day, I felt drawn to her, to her energy and personality. Being crazy was just too easy, too simple… In my mind she was an alien actor, a person from another world, stranded here, for unknown reasons. The only way to connect to her home was to perform again and a again a mysterious ritual - the movements and their significance where known only to her. I saw her move silently, harmonically, smoothly, gracefully in her mysterious, strange "dance", in a surreal but mesmerising choreography. And I stopped thinking. I stopped wondering, as well. All I did was hope, wholeheartedly, that she'd get back home, soon.
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“Too often man handles life as he does the bad weather;
he whiles away the time as he waits for it to stop”. – Alfred Polgar . Too often a photographic investigator does acts the same way…
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Suddenly this fall everything was changing. A photographic investigator can -under extreme circumstances- manipulate planetary and galactic movements to maintain a situation that requires further investigating. And that was exactly what I was attempting this fall. Seven planets became retrograde in order to stop my subjects from moving into different realities. With no success so far. But a photographic investigator also can recognise when a full circle is complete and she surrenders her wants and needs to the wisdom of the universe.
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When a photographic investigator who discovers her subjects following clues that arrive at her doorstep by mysterious ways receives a note that says “Call off the search”, what is she supposed to do? Maybe stop looking and realise that her subject is closer to her than she could have ever imagined.
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“Originally, Bodhi is not a Tree, Nor is the mind-mirror standing. Originally, not one thing exists,
So where is the dust to cling?”
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My new assignment had to do with hair. My new subject’s hair, not hair in general. The Jamaica Inn was a hair salon and at the same time it was my only clue about her and where to find her. As any good photographic investigator I pretended to be a customer with a particularly bad hair week and got to work while a very handsome hair stylist was contemplating what to do with my hair. A photographic investigator is used to make sacrifices.
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“Sitting here in limbo, but I know it won’t be long”, sung Jimmy Cliff and that phrase was the clue for my next photographic investigation. My subject was Zenobia, the daughter of a wealthy family from Chicago who was taking a vacation on a tropical island of the Pacific with a suitcase full of golden coins for her expenses. It was a tradition in her family to pay only with gold, but in this island the authorities in the airport had never encountered a similar case -most of them had never seen golden coins before- so they confiscated her gold until a higher authority decided it was OK to give it back. Until then, Zenobia was living in limbo, spending her days in a coffee shop near the airport, waiting for a new development. I know that my powerful, mysterious employers had the power to arrange for her to have her gold back, but they wanted me to photographically investigate her. So I did it fast, because I don’t like for my subjects to be miserable…
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My new subject had just returned from Tanzania. While I was photographically investigating her, listening with great interest her accounts about the place and the people, Ralph Waldo Emerson came to my mind and something he wrote in his book “Self reliance”, which I recognised as an undeniable truth.
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“Live in the sunshine, swim the sea, drink the wild air” wrote Emerson and this quote was my clue for finding my new subject. My mysterious employers love to be… mysterious, so I received this quote written in a piece a paper that was attached to the collar of an abandoned cat that knew how to find me. I was immediately intrigued because I have always been inspired by Emerson’s words. Living in the sunshine of divine love that flows trough us and around us, swimming the sea of human emotions, drinking the wild air of inspiration, pure Spirit.
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Some subjects never cease to be subjects of a photographic investigation. It is not in their nature. He was elusive to me for four long years. In the past he was known as “Julian” or “The Mexican” and he was the protagonist of some very interesting assignments of mine. My sources informed me that presently he was going by the name “The influencer”. A photographic investigator never says goodbye to her subjects no matter how many alter egos they have -and she investigates them until she is called to another photographically investigating dimension.
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