Seven was my new subject. How did I know? The same way I always do… As you probably know by now, my mysterious employers dedicate their lives in finding imaginative and creative ways for sending me clues about my next assignment. This time it was a telepathically transmitted message in the brain of one of my faithful cat-helpers, Juanita. She knocked seven times with her paw on the head of my other faithful helper, Lupe, during a friendly round of greek-roman wrestling. So I knew that the famous Seven -a mysterious name equally enigmatic as her presence- was my new subject. Because a photographic investigator always uses her intuitive leads. Seven was a poet of Japanese, noble descend, who was brought up by Austrian shepherds in the Alps for her own protection from her parents -poets of the imperial court- enemies. And although she was trained as a cook, her inherited talent in poetry was revealed by her compulsive poetry writing. Her poems were published, shared, read and cherished among fellow poets and writers of noble descend who were living an incognito existence. And by watchers and investigators like me. I will not reveal what secret powers I had to use to be able to penetrate their circle - but I can assure you that I used them wisely. My assignment had to be completed by the summer solstice and the Fates were good to me. I attended a noble poetry reading the night before. I knew though that this assignment would not be the only one concerning Seven.
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As I was browsing through old carnival photos with people that are no longer in my life and in places that no longer exist, this amazing song by Toquinho was playing in my internal sound system… Escravo da alegria - slave to joy. And as I went to you tube to listen to it externaly as well, in one of the comments I read how Toquinho composed this song: He saw a phrase on a truck bumper that caught his attention and served as inspiration for this great hit. The message said: “If love is fantasy, I find myself lately in the middle of carnival”. The same way that my photographic investigations resolve themselves.
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“When you run after thoughts, you are like a dog chasing a stick. Every time the stick is thrown you run after it. Instead, be like a lion, who rather than chasing after the stick, turns to face the thrower. One only throws a stick to a lion once!”
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Samsara is wisdom unrecognised, said Vajrasattva. In the heart of enlightenment, samsara and sorrow are merely the play of the All Good. And the five poisons of lust, aversion, dulness, arrogance and jealousy reveal themselves as five wisdoms. Wisdom is all pervading like the light of the sun. It is an all-healing flow of compassion than washes away our five negative predispositions. This photographic investigation brought the above truths to mind…
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This photographic investigation took place in silence while listening to excerpts from a Ilie Cioara’s book - and affirmed itself through itself as power and beauty. He also wrote: “Life is perpetual freshness, in permanent movement,
As such, we need to be the same way;
A childlike innocence is requested by Existence,
Every time, in every circumstance – a priceless purity.”
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My new subject, Tatiana, was working in Sorrento and I was there for it’s healing waters, as I have mentioned in a previous blog post (“The healing waters of Sorrento”). As usual, I had no idea about this new assignment, neither did I know that the woman who served me my sour cherry drink every day, was the one I had to photographically investigate. My clue came one night through intuition and via a dj who was strategically placed in the right time at the right bar by my mysterious employers. Intuition made me send a waiter to ask the name of a song I liked and the clue came in a piece of paper. The dj wrote: “Caritas abundant in Omnia” (“Love Aboundeth in All Things”). It was certainly not the song I’ve heard, but the name of a hymn written by Hildegard of Bingen -a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and practitioner during the High Middle Ages. I knew right away that I had to look around me for an angelic creature. This is the first part of this photographic investigation…
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A photographic investigator approaches her assignment with a beginner’s mind. Without plan, without preconceptions, without expectations, without knowledge, without having the slightest idea of what will happen. Than is the only way that a photographic investigation can be true. And that is not a rule, it is an observation.
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The clue about my new subject came with the wind. It was expected through the mail, but after an unprecedented explosion in the post office -a product of overwhelming anticipation for the upcoming Chinese New Year, the year of the Dragon- the wind took over the deliveries that the fire failed to eliminate. Only a small piece of half burned paper had survived, with the words: “Eyes with neither artifice nor evasion”. It was one of the more clear clues that I had received for a long time. I knew exactly where to find this amazing subject. The Year of the Dragon was approaching promising not to disappoint…
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“Too often man handles life as he does the bad weather;
he whiles away the time as he waits for it to stop”. – Alfred Polgar . Too often a photographic investigator does acts the same way…
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Suddenly this fall everything was changing. A photographic investigator can -under extreme circumstances- manipulate planetary and galactic movements to maintain a situation that requires further investigating. And that was exactly what I was attempting this fall. Seven planets became retrograde in order to stop my subjects from moving into different realities. With no success so far. But a photographic investigator also can recognise when a full circle is complete and she surrenders her wants and needs to the wisdom of the universe.
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When a photographic investigator who discovers her subjects following clues that arrive at her doorstep by mysterious ways receives a note that says “Call off the search”, what is she supposed to do? Maybe stop looking and realise that her subject is closer to her than she could have ever imagined.
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My new assignment arrived while Dave Brubeck was playing “Take the A train”. My faithful companion brought me a piece of paper that said: “Initial”. In the life of a photographic investigator everything is interconnected and the course of the investigation -as well as it’s subject- are revealed by themselves without the necessity of thinking or wondering. The reason behind it always remains unsaid, though. But I am OK with it. Anyway, I knew that I had to replace the “A” with another letter and that that letter would be the initial of my subject’s first name. My intuition told me that was an
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“Originally, Bodhi is not a Tree, Nor is the mind-mirror standing. Originally, not one thing exists,
So where is the dust to cling?”
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My new assignment had to do with hair. My new subject’s hair, not hair in general. The Jamaica Inn was a hair salon and at the same time it was my only clue about her and where to find her. As any good photographic investigator I pretended to be a customer with a particularly bad hair week and got to work while a very handsome hair stylist was contemplating what to do with my hair. A photographic investigator is used to make sacrifices.
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My subject was witness to a miraculous manifestation. And although the words “manifestation” and “law of attraction” are very widely used and invoked today, very few people actually believe that they work -this is probably why they prefer giving endless lectures about it. But some people can do it, and those people prefer keeping it a secret. So when I was hired to investigate an actual witness to a magical appearance of a mansion -the way Aladin’s lantern would do it- I knew that my subject was on the run and that the time I had was limited…
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“Sitting here in limbo, but I know it won’t be long”, sung Jimmy Cliff and that phrase was the clue for my next photographic investigation. My subject was Zenobia, the daughter of a wealthy family from Chicago who was taking a vacation on a tropical island of the Pacific with a suitcase full of golden coins for her expenses. It was a tradition in her family to pay only with gold, but in this island the authorities in the airport had never encountered a similar case -most of them had never seen golden coins before- so they confiscated her gold until a higher authority decided it was OK to give it back. Until then, Zenobia was living in limbo, spending her days in a coffee shop near the airport, waiting for a new development. I know that my powerful, mysterious employers had the power to arrange for her to have her gold back, but they wanted me to photographically investigate her. So I did it fast, because I don’t like for my subjects to be miserable…
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I was about to watch a 1929 classic black and white film called “The locked door”, starring Barbara Stanwyck, when someone slipped a handwritten note under my door -that was also locked… My mysterious employers had not given me any sign of life for the last two years and I was worried that our secret operations had been revealed to the wrong people. I was in no danger, of course, but I had missed my secret assignments. My faithful helpers, Juanita and Lupe were begging me for some action. I guess cat’s wishes are more rapidly answered… The note provided me with clues about a beautiful, wealthy young woman, which I was supposed to photographically investigate immediately, as she was about to return to Crete -for some nefarious business, I am sure. It was easy. She was suspicious at first, but then, my ability to open locked doors was the one that had made me famous in my field.
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My new subject was powerful. She had the ability to transform herself into anything she wished to -organic or inorganic- and she could also transform others. Her power had it’s source in the unshakable conviction that as a daughter of a powerful king she could have all of her wishes fulfilled. And she had a preference in the art of transformation… A photographic investigator must be careful in situations like this one, where a wrong look or word could transform them into a cucumber or an umbrella… So I walked carefully into my new assignment, being alert and ready at any time to push the button of my inter-dimensional wrist watch.
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A photographic investigator realises sooner or later on her constant journey that she is a traveller. A traveller who is eager to reach her destination quickly, does not look back to see by what road she has come not does she ponder about what she has seen on the way or what she has gained by it, says Sri Anandamayi Ma. Exactly like that, she advises, thoughts of the past must be cast aside in the aspirant’s life.
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A photographic investigator knows that if you don’t project it in the screen of your mind, it isn’t there. So you don’t see it.
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